The Polyphony Database
polyphonydatabase@gmail.com
About the database❯
PolyphonyDatabase.com is a detailed catalogue of early music sources designed to help musicians perform, academics study, and enthusiasts explore a vast and glorious repertoire quickly and easily. It aims to combine the practicality of CPDL with the academic rigour and ambition of the RISM census, to make use of similar projects where possible, and to directly combat the frustrations performing musicians have with all existing resources.
Its three main goals are:
- To assist performers, directors, and editors by cataloguing the contents of primary sources, source concordances, and basic information about how each piece of music can be performed.
- To provide a reliable starting point for academic research by linking to library catalogues, other existing databases, and facsimile images of early music manuscripts and prints.
- To provide a repository for properly sourced critical editions, performing scores, and recordings of as much of this music as possible, each carefully vetted for typesetting quality and accuracy, and made available for free download, so that this music might be discovered and appreciated by a wider audience.
The database was founded by Francis Bevan in 2014 as an outlet for his editing hobby and is regularly updated by him and a small team of enthusiasts. If you would like to contribute some cataloguing time, recordings or editions, submit corrections, commission an edition or just donate some cash, please get in touch with Francis via email: polyphonydatabase@gmail.com. Read more about the project's history at the 2018 Crowdfunder page.
The best way to help fund the project is to commission performing editions. New editions can be made quickly for as little as £10.
Understanding the clef images
A red clef means the voice is missing from this source. Where there are no concordances to fill in the gaps, this means the piece will require reconstruction.
A green clef means the voice is incomplete in this source. This might denote a fragment of a larger work, or a e.g. canonic voice that isn't written out in full.
A faded clef means much of the piece can be performed without this voice. For example, an extra 6th voice in the Agnus Dei of an otherwise 5vv Mass setting, or a short gimel in a big votive antiphon. Filtering by number of voices will exclude these clefs, while filtering by a specific voice combination will include them.
A blue clef denotes a voice that uses more than one clef in this source - this is particularly prevalent in earlier printed sources. We've estimated the larger clef on the left to be the most used to give an idea of voice distribution at a glance.
An X clef is used as a placeholder for voices we know are necessary, but haven't yet worked out which! This can be because there are no extant sources for a missing voice and no reconstruction has yet been attempted (it will normally become obvious which voice is missing once editing starts), or because we have catalogued a source from an incomplete facsimile that we know to be complete elsewhere.
Title |
Function(s) |
Composer |
# |
Sources |
3 voices upon the plainsong
|
|
Baldwin, John
before 1560–1615
|
3 |
|
Ab aeterno ordinata sum
|
|
Agazzari, Agostino
c.1580–1642
|
2 |
|
Ab aeterno ordinata sum
|
|
Monteverdi, Claudio
1567–1643
|
1 |
|
Abeuntes Pharisei
|
|
Maistre Jhan
c.1485–1538
|
4 |
Symphonia quatuor modulata vocibus ex... (RISM 1543/4)
Symphonia quatuor modulata vocibus excellentissimi musici Ioannis Galli alias Chroi Ferrariae Magistri, quae vulgo (motecta Metre Iehan) nominantur, nuper in lucem edita
Venice: Scotto, Girolamo, 1543
(Partbook, Print)
RISM
#3
|
|
Attrib: Mestre Iehan |
|
|
A bien compter ma joye abandonnée
|
|
Fresneau, Henry
fl.1538–1554
|
4 |
|
A bien grant deul me puis je bien retraire
|
|
Anon
|
4 |
|
A bien grant tort vous faictes ce partaige
|
|
Anon
|
4 |
|
A bien grant tort vous m'avez pris en hayne
|
|
Gombert, Nicolas
c.1495–c.1560
|
4 |
|
A bien parler que c'est d'amours
|
|
Conseil, Jean
1498/1501–1534
|
4 |
|
Ab initio et ante saecula
|
|
Burgh, Cornelius
c.1590–c.1639
|
3 |
Liber primus concertuum ecclesiastico... (RISM B5018)
Liber primus concertuum ecclesiasticorum ternis vocibus in gratiam omnis generis tam cantorum quam instrumentorum nunc primum in lucem editus
Cologne: Greuenbruch, Gerhard, 1626
(Partbook, Print)
RISM
#14
|
|
Attrib: Cornelio Bvrgh Ubio |
|
|
Ab oriente venerunt magi
|
Epiphany |
Lombardi, Bartolomeo
fl.1578
|
5 |
|
Ab oriente venerunt magi
|
Epiphany |
Dulichius, Philipp
1562–1631
|
5 |
Novum opus musicum duarum partium, co... (RISM D3686)
Novum opus musicum duarum partium, continens dicta insigniora ex evangeliis dierum cum dominicorum, tum festorum praecipuorum totius anni
Stettin: Myliander, Stephan, 1599
(Partbook, Print)
RISM
#9
|
|
Attrib: Philippo Dulichio |
In festo Epiphaniae |
|
Ab oriente venerunt magi
|
Epiphany |
Handl, Jacob (Gallus)
1550–1591
|
4 |
|
Ab oriente venerunt magi
|
Epiphany |
Nucius, Johannes
c.1556–1620
|
5 |
|
Ab oriente venerunt magi - Aurum et thus
|
Epiphany |
Sweelinck, Jan Pieterszoon
1562–1621
|
5 |
|
Ab oriente venerunt magi - Aurum sicut regi magno
Pothárn Imre
|
Epiphany |
Praetorius, Hieronymus
1560–1629
|
5 |
|
Ab oriente venerunt magi - Videntes autem stellam
|
Epiphany |
Hoyoul, Balduin
1547/1548–1594
|
6 |
(D-Sl 8)
Chamerhueber, Johann, 1569-1570
(Choirbook, MS)
#22
|
|
Attrib: Hoyou |
|
|
Ab oriente venerunt magi - Videntes autem stellam
|
Epiphany |
Clemens non Papa, Jacobus
c.1510–1555/1556
|
5 |
(D-Dl Mus.1-D-3)
Dresden, 1550-1560
(Partbook, MS)
RISM
#60
|
|
Attrib: C non papa |
|
Liber sextus cantionum sacrarum vulgo... (RISM 1554/5)
Liber sextus cantionum sacrarum vulgo moteta vocant, quinque et sex vocum ex optimis quibusque musics selectarum
Leuven: Phalèse the Elder, Pierre, 1554
(Partbook, Print)
RISM
#6
|
|
Attrib: Clemens non papa |
|
(D-ROu Mus.Saec.XVI-42)
Rostock: Weissenberger, Albert, c.1555-c.1570
(Choirbook, MS)
#8
|
|
Attrib: Clemens non papa |
|
Septimus liber modulorum, quatuor, qu... (RISM 1556/11)
Septimus liber modulorum, quatuor, quinque et sex vocum, (quos vulgus moteta vocat) à quibusvis celeberrimis authoribus excerptus, & nunc primùm in lucem aeditus.
[Geneva]: Du Bosc, Simon, 1556
(Partbook, Print)
RISM
#10
|
|
Attrib: C. non Papa |
Bassus pages missing |
(D-Dl Mus.Pi.Cod.VII)
Dresden: Weissenberger, Albert, 1556
(Choirbook, MS)
RISM
#10
|
|
Attrib: Clemens non papa |
|
Liber sextus cantionum sacrarum vulgo... (RISM 1558/5)
Liber sextus cantionum sacrarum vulgo moteta vocant, quinque et sex vocum ex optimis quibusque musics selectarum
Leuven: Phalèse the Elder, Pierre, 1558
(Partbook, Print)
#6
|
|
Attrib: Clemens non papa |
|
Secunda pars magni operis musici cont... (RISM 1559/1)
Secunda pars magni operis musici continens clarissimorum symphonistarum tam veterum quam recentiorum, praecipe vero Clementis non Papae, Carmina elegantissima quinque vocum
Nuremberg: Berg, Johann and Neuber, Ulrich, 1559
(Partbook, Print)
RISM
#58
|
|
Attrib: Ia. Clemens non Papa |
|
|
Ab ortu solis - Venite comedite
David Fraser (ATTB)
Ensemble Plus Ultra
|
Maundy Thursday |
Byrd, William
c.1540–1623
|
4 |
|
Above all thing now let us sing
|
|
Farthing, Thomas
|
1 |
|
Above the stars my saviour dwells
|
(Verse anthem) |
Parsons, Robert (ii)
|
5 |
Dunnington-Jefferson Manuscript (GB-Ym M29S)
c.1632
(Partbook, MS)
#108
|
|
Attrib: Mr Robert Parsons |
|
(GB-DRc C1)
Durham, c.1660
(Partbook, MS)
#149
|
|
Attrib: Mr Parsons |
|
|
Above the stars my saviour dwells
|
(Verse anthem) |
Anon
|
6 |
|
Above the stars my Saviour dwells
|
(Verse anthem) |
Tomkins, Thomas
1572–1656
|
6 |
(GB-Cpc 6.1-6)
c.1625-1644
(Partbook, MS)
#35
|
|
Attrib: Mr Tomkins |
|
Dunnington-Jefferson Manuscript (GB-Ym M29S)
c.1632
(Partbook, MS)
#93
|
|
Attrib: Mr Thomas Tomkins |
|
(GB-DRc C1)
Durham, c.1660
(Partbook, MS)
#137
|
|
Attrib: Mr Tomkins |
|
Musica Deo Sacra & Ecclesiae Anglican... (RISM T950)
Musica Deo Sacra & Ecclesiae Anglicanae: or, Musick dedicated to the honor and service of God, and to the use of Cathedral and other Churches of England, especially of the Chappel-Royal of King Charles the First.
London: Godbid, William, 1668
(Partbook, Print)
RISM
#18
|
|
Attrib: Thomas Tomkins |
|
|
Abraham pater vester
|
Lent V |
Lambardi, Girolamo
fl.1586–1623
|
4 |
Antiphonae omnes iuxta ritum Romani b... (RISM L367b)
Antiphonae omnes iuxta ritum Romani breviarii pro totius anni dominicis diebus in primis, & secundis vesperis nunc primum ... Secunda pars
Venice: Caenobio Sancti Spiritus, 1600
(Choirbook, Print)
RISM
#49
|
|
Attrib: Hieronymo Lambardo |
|
|
Abraham pater vester - Amen dico vobis qui sermonem meum
|
|
Otto, Georg
1550–1618
|
6 |
|